“Here are the sheets pulled flat on the bed we all share, vertical stripes, thin and thick, orange, yellow, orange, yellow.”
This is a picture of my newborn with his father. My latest prose poem Baby Picture in the new issue of Platypus Press’ Wildness, is based on — you guessed it — a baby picture. I wrote this last year before I was pregnant. It is about the distance between my father and me, which is a spot on my heart too sore for me to say more about here. It is surreal to have this piece published so soon after giving birth to my first child — a child who has my face; a face I inherited from my father. My child’s relationship with his father will be very different from the one I have with mine. The long tides between families, circles broken and unbroken through time, are always on my mind but hard to write about. This piece is the closest I’ve come yet. I hope you like it.
Continue reading “New publication: family & fracture; second orange prose poem”
My latest flash, “Kidding, Kidding” and “Plucking Away” up at the lovely Jellyfish Review are my first (self-acknowledged) creative nonfiction-ish pubs. All my recent work is mined from my life and I used to spend a lot of time negotiating the boundaries between fiction, non-fiction, and poetry before submitting, but life and art feel too variable to worry about this anymore. I’ll say these two pieces are close to my real biography, and it is simultaneously easy and uncomfortable to see this work published. I’ve pushed myself to be more explicit in my recent pieces, and I can’t tell if the discomfort stems from “the mortifying ordeal of being known,” or if my implicit writing really is more porous, holds more space for many truths.
Maybe it’s only needless self-deprecation to say the truths of these pieces don’t feel as truthy because they are so fixed. (I know I’m really selling these publications.) Continue reading “Two new publications: truth or something like it”
“My eyes are shut, the insides of my eyelids are orange in the light streaming through. I’ve come to believe orange is the color of vast, unbroken love.”
My latest hybrid/prose poem, Cactus, now up at matchbook, is to my mind, the third in my loose series of “orange prose poems” as the rest of the piece troubles the opening quoted above as well as the series’ theme of family and unbrokenness.
I almost didn’t publish this piece. It’s my first explicit “personal as political” publication, and I tied myself into knots writing, editing, and submitting it. I felt guilty using some of my family’s history, which may not be mine to interpret. I felt guilty about not explicitly naming the harms I dance around. Among other things, the piece is about guilt as a stalling act. Continue reading “New publication: family & fracture; third orange prose poem”
“Let’s say the wrapper was orange-yellow — the color of sunset on Galle Face Beach where you took me every Sunday, the color of the hibiscus growing by the tall iron gate of the last home I lived in with you.”
My favorite part of writing is learning the meaning of a piece on the long road between drafting and publication. This is partly why I hold onto pieces for awhile before submission. I wrote my latest prose poem, Let’s Say Your Arm is Long now up at Pithead Chapel, last summer. It is about my grandfather who died when I was five. My few memories of him are likely false ones. I didn’t know at the time that I was writing this piece to comfort myself but it has become a comfort: a sort of lullaby to myself; an elegy to him. Through it, I’ve come to know that mourning can be a way of continuing love, that your body remembers love your mind doesn’t. I realized writing this piece in the subjunctive mood made it possible to build a frame around a loss I couldn’t otherwise grasp. Continue reading “New publication: family & fraction; first orange prose poem”
Photo Credit: Simon Abrams, Unspash
Probably, a day will come when I don’t announce every new publication with a mini-essay on process but today isn’t that day. I’m proud and grateful to have my first microfiction appear in a press I just learned of and already love: 3 Micro-stories by Di Jayawickrema in Burning House Press.
There were eight years between my first publication and my second. I spent that period contending with the immigration system, and the process changed me in ways I still don’t fully understand. I didn’t write a creative word in those eight years. I do some community-based work around immigration now — in my view, immigration is a death spectrum — from actual death to death by countless cuts if you’re lucky, and I was lucky. It isn’t a coincidence that I only started writing again when I got my green card.
Continue reading “New publication: (in)completeness”